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Working in Damascus, the ?City of Jasmin’

Working in Damascus, the ?City of Jasmin’

Damascus, the Syrian capital is on a developmental path after years of political and economic disturbances. This historical city whose name first appeared in the geographical list in the 15th century is believed to mean a ‘well-watered place’. An important trading center from ages, its economy is now coming out of the conservative bounds and exploring other possible areas for overall growth of the economy. This exploration needs to be supported by the skilled manpower which is recruited from all over the world. Jobs in Damascus are emerging as the preferred choice for many with large scale restoration of the long lost city.

 

According to historians, it is among the world’s oldest continuously inhabited city that has probably been occupied since 6300 BC. If one goes by the reports released by the Central Bureau of Statistics in Syria, the population of Damascus in the year 2009 was nearly 5 million. Most of the people came to the city as a consequence to rural urban migration that has been occurring ever since it came into being. The cities of Duma, Darayya, Harasta, Jaramana and Al-Tall are included in the metropolitan areas of Damascus. Since it has been evolving in terms of political power, economy and population, it is difficult to get the right estimates of its population. But this is true that with growing numbers of jobs in Damascus, its population is all set to grow manifold in the coming years and decades.

 

Middle East is dream come true for millions as it offers colossal money and high standard lifestyle in just a short time. Expatriates are paid three to four times for the same kind of work of what they are paid in their native countries. It is the same for jobs in Damascus as qualified and experienced professionals offer their expertise in return for the handsome salaries. But, it is very important to know few things about the country one is migrating to for work either alone or with family. It includes conducting research on lifestyle, legal laws, religion, code of conduct, culture, etc., followed in the new place as it makes the stay easier. This article throws some light on some of the important facts one needs to know before moving to Damascus.

 

The historical importance, etymology, demographics, population and career scope have been already discussed in brief. Let us now take a quick look at the climate, religion, education system, transportation, etc. followed; the historical sites and the expected progress in coming years. Working in Damascus is sure to be an enriching experience once expectations are set right.

 

-Before accepting jobs in Damascus, one should know if he can adjust with the semi arid climate of the place. Summers are mostly less humid, dry and hot while winters are mild and even rainy or snowy.

 

-The religion predominantly followed in the city is Islamic with that of 75% Muslims, over 15% Christians and around 10% Jews. There are more than 2,000 mosques, large number of churches and some ancient Jewish presence from the Roman times.

 

-Damascus is the education capital of Syria with several secondary institutions and universities in the city. Some of the universities are Damascus University, Syrian Virtual University, Arab International University and others.

 

-Damascus is well connected to nearby areas via airport, railways, buses and the project for Metro is in the pipeline. There are many plans coming up to extend transport network of the city mainly by the year 2050.

 

All the information on working of economy and infrastructure will definitely make your job in Damascus a worthwhile experience.

Deepika Bansal writes on behalf of NaukriGulf.com, a leading job portal for jobs in Gulf Region,Jobs in DamascusMiddle East jobs. Naukri.com’s foray into the Middle East is an Endeavour to provide established client base with services that best meet their international requirements as well as expand our operations on to a global arena.


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Posted by Wetaskiwin Airport - October 28, 2010 at 1:15 pm

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List Of Rush Instrumentals

List Of Rush Instrumentals

Studio Recordings

2112

Main article: 2112 (song)

Overture

From the 2112 album, “Overture” opens up one of Rush’s concept suites. Geddy Lee’s voice is recorded as an instrument in the early parts of the song, as he sings no words. However, there is, despite the Overture’s overall instrumental nature, only one line sung at the end, as the piece transitions to “The Temples of Syrinx”: “And the meek shall inherit the earth.” Like some overtures, music from the 2112 overture is repeated or built upon in other places in the suite such as “The Temples of Syrinx” and “Oracle: The Dream”.

Grand Finale

This section of the suite includes some spoken (not sung) lines at the end, with the following phrase repeated three times: “Attention all planets of the Solar Federation: We have assumed control.”

La Villa Strangiato

Found on the Hemispheres album, this was Rush’s first entirely instrumental piece, clocking in at nearly ten minutes (9:37). The instrumental’s subtitle is “An Exercise in Self-Indulgence”. The multi-part song was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar, while the live versions were played on an electric guitar. The next segment introduces the main theme of La Villa, the Strangiato theme. The song progresses to include an increasingly complex guitar solo backed by string synthesizer, followed closely by bass and drum fills. The Strangiato theme is then revisited before the song ends abruptly with phased bass and drums. The song is divided as follows:

I: “Buenos Nochas, Mein Froinds!” – (0:00)

II: “To sleep, perchance to dream…” – (0:27)

III: “Strangiato theme” – (2:00)

IV: “A Lerxst in Wonderland” – (3:16)

V: “Monsters!” – (5:49)

VI: “The Ghost of the Aragon” – (6:10)

VII: “Danforth and Pape” – (6:45)

VIII: “The Waltz of the Shreves” – (7:26)

IX: “Never turn your back on a Monster!” – (7:52)

X: “Monsters! (Reprise)” – (8:03)

XI: “Strangiato theme (Reprise)” – (8:17)

XII: “A Farewell to Things” – (9:20)

Live versions of “La Villa Strangiato” have often featured certain alterations. For instance, on Exit…Stage Left, Lee plays part of “Monsters! (Reprise)” as a bass solo. During more recent tours, as documented on Rush in Rio, a drum/bass vamp is inserted before “Strangiato Theme (Reprise),” over which Lifeson makes a stream-of-consciousness rant. The classical guitar introduction is either played on electric guitar or, more commonly, cut out altogether.

According to Lee, “We spent more time recording ‘Strangiato’ than the entire Fly By Night album. It’s recorded in one take but it took 40 takes to get it right! It was our first piece without any vocals at all. So each section had to stand up with a theme and musical structure of its own.”

“La Villa Strangiato” translates roughly to “Strange Village” or “Weird City”.

YYZ

Main article: YYZ (song)

From the Moving Pictures album. “YYZ” (natively pronounced why-why-zed) is the airport code for the Toronto International Airport, and the instrumental opens with a rhythm in 5/4 that is Morse code for “YYZ” (-.– -.– –..). The piece evolved into a drum/bass solo during the 1980s. “YYZ” was the first of five Rush songs (over three decades) to be nominated for a Grammy in the category of Best Rock Instrumental Performance.

Where’s My Thing?

From the Roll the Bones album. “Gangster of Boats” comes from the persistent threat from Lee and Lifeson to title an album Gangster of Boats and never became an actual “concept” the same way that Rush’s “Fear” trilogy had. “Where’s My Thing?” was their second song nominated for a Grammy, in 1991, losing to Eric Johnson’s “Cliffs of Dover”. The song is much more pop-like than the rest of Rush’s work, featuring an upbeat tempo and a brass-like synthesizer line.

Leave That Thing Alone

From the Counterparts album. During the Counterparts, Test for Echo, and Vapor Trails tours, and featured on the Different Stages and Rush in Rio live albums, “Leave That Thing Alone” preceded Peart’s drum solo and was played with an extended ending to showcase Lee’s bass work. This track was the third song nominated for a Grammy in the category of Best Rock Instrumental Performance in 1994, losing to Pink Floyd’s “Marooned”.

Limbo

From the Test for Echo album. Like the “2112 Overture”, “Limbo” features vocals by Lee, however, his voice is being used as an instrument as he is not singing any words. The song also includes samples from Bobby “Boris” Pickett oldie “The Monster Mash”: ‘Whatever happened to my Transylvania twist’ and ‘Ahh, Mash Good!’.

“The Main Monkey Business”, “Hope” and “Malignant Narcissism”

Rush’s album Snakes & Arrows is the first Rush album to feature multiple instrumental tracks: “The Main Monkey Business”, “Hope”, and “Malignant Narcissism”. The first, “The Main Monkey Business”, is slightly over six minutes long. As with “Limbo” and “2112 Overture”, Lee’s voice is being used as an instrument as no words are being sung. The other two songs, “Hope” and “Malignant Narcissism”, are the two shortest songs ever recorded by Rush at just over two minutes long. This was a distinction previously held (excluding the short sections of the multi-parted songs like “2112″ and “La Villa Strangiato”) by the short track “Need Some Love” on the album Rush. “Hope” is a solo guitar piece written by Lifeson. “Malignant Narcissism” features Lee on a fretless bass and Peart on a four-piece drum kit. “Malignant Narcissism” contains dialog of a woman’s voice, “Usually a case of malignant narcissism brought on during childhood.” The last word in the phrase is repeated, each time lower than the last. The phrase itself comes from the Movie Team America: World Police, made by the creators of South Park, Trey Parker and Matt Stone. “Malignant Narcissism” became the fifth instrumental to be nominated for a Grammy under the category of Best Rock Instrumental Performance, in 2008, losing to Bruce Springsteen’s “Once Upon A Time In The West.” Hope became the sixth instrumental to be nominated for a Grammy under the category of Best Rock Instrumental Performance in 2009, only under the Songs For Tibet: The Art of Peace album which Rush contributed to with a live version of the song.

Live Performances & Recordings

Broon’s Bane

Found on the Exit…Stage Left live album, “Broon’s Bane” is a short classical guitar arrangement performed by Lifeson as an extended intro to “The Trees”. The song is named after Terry Brown (Brown is also referred to as “T.C. Broonsie” during the intro to Jacob’s Ladder) who produced Exit…Stage Left and ten other Rush albums.[citation needed] It is not featured on any other live or studio recording by Rush. The song repeats and builds upon the same three-beat line, coming to a climax about one minute into the piece before segueing into “The Trees”.

Cygnus X-1 (Live Recordings)

On the live album Rush in Rio, an abridged version of Cygnus X-1 is performed as an instrumental. The piece contains the themes from 1:26 to 4:59 in the studio recording of the piece, shortened slightly by about twenty seconds. In other words, it includes the Prologue part without the spoken words. Also, the keyboard synthesizer heard in the studio recording is replaced with a more synthesized voice played by Lee with foot pedals. This is the same excerpt of the piece played as part of the R30 Overture.

R30 Overture

The opening song of Rush’s 2004 tour dates featured an instrumental combining sections of one song from each of the band’s first six albums.

The songs featured in the medley were:

“Finding My Way’” (Rush)

“Anthem” (Fly by Night)

“Bastille Day” (Caress of Steel)

“A Passage to Bangkok” (2112)

“Cygnus X-1 Prologue” (A Farewell to Kings)

“Hemispheres Prelude” (Hemispheres)

Neil Peart’s drum solos

A staple and highlight of Rush’s concerts is a drum solo by Neil Peart. These solos have been featured on every live album released by the band. On the early live albums (All the World’s a Stage and Exit…Stage Left), the drum solo was included as part of a song (“Working Man/Finding My Way” and “YYZ”, respectively). On all subsequent live albums, the drum solo has been included on a separate track. On A Show of Hands and Different Stages, the drum solos were titled “The Rhythm Method” (a pun on the form of birth control); on Rush in Rio, it was entitled “O Baterista”; on R30 Live In Frankfurt it was titled “Der Trommler”. On Rush’s most recent live album, Snakes & Arrows Live, it is titled “De Slagwerker”, and is coupled with “Malignant Narcissism” on the track-list. “O Baterista” was the fourth song nominated for a Grammy, in 2004, losing to Brian Wilson’s “Mrs. O’Leary’s Cow”.

The titles “O Baterista”, “Der Trommler” and “De Slagwerker” all translate to “The Drummer” in Portuguese , German and Dutch respectively.

All of Peart’s drum solos include a basic framework of routines connected by sections of improvisation, leaving each performance unique. Each successive tour sees the solo more advanced, with some routines dropped in favor of newer, more complex ones. Since the mid-late 1980s Peart has utilized MIDI trigger pads to trigger sounds sampled from various pieces of acoustic percussion that would otherwise consume far too much stage area, such as a marimba, harp, temple blocks, triangles, glockenspiel, orchestra bells, tubular bells, and vibra-slap as well as other, more esoteric percussion. Some purely electronic, description-defying sounds are also used. All are incorporated into each drum solo.

Every Peart solo since 1987-88 has included marimba excerpts from “Pieces of Eight,” a piece that first appeared as a flexi disc record in the May 1987 issue of Modern Drummer magazine. In addition, all solos since 1991 have contained marimba portions of another Peart composition entitled “Momo’s Dance Party,” and those from 1991 to 2004 featured a complex pattern from the song “Scars” (as heard on the studio album Presto). For the Vapor Trails and R30 tours, each solo concluded with a section of the Count Basie standard “One O’Clock Jump,” which Peart recorded while producing Burning For Buddy, a two-volume tribute album to legendary big band drummer and bandleader, Buddy Rich. For the 2007 and 2008 legs of the Snakes & Arrows Tour, Peart replaced the finale with an excerpt from “Cotton Tail,” which he recorded with the Buddy Rich Band in the mid-1990s. This was the only tour in which the length of his solo decreased when compared to the preceding tour.

References

Rush portal

^ a b Banasiewicz, Bill; Rush: Visions: The Official Biography, Chapter 7, Omnibus Press, 1988

^ Peart, Neil: The Game of Snakes and Arrows

^ GRAMMY.com

^ GRAMMY.com 2009 site

^ “Drummer”. Woxikon.com. http://www.woxikon.com/eng/drummer.php. 

^ Drummer translations, Hudson Music, 2005, DVD

v  d  e

Rush

Geddy Lee  Alex Lifeson  Neil Peart

John Rutsey  Jeff Jones

Studio albums

Rush  Fly by Night  Caress of Steel  2112  A Farewell to Kings  Hemispheres  Permanent Waves  Moving Pictures  Signals  Grace Under Pressure  Power Windows  Hold Your Fire  Presto  Roll the Bones  Counterparts  Test for Echo  Vapor Trails  Feedback  Snakes & Arrows

Live albums

All the World’s a Stage  Exit…Stage Left  Grace Under Pressure Tour  A Show of Hands  Different Stages  Rush in Rio  R30: 30th Anniversary World Tour   Snakes & Arrows Live

Live videos

Exit…Stage Left  Grace Under Pressure Tour  A Show of Hands  Rush in Rio  R30: 30th Anniversary World Tour  Rush Replay X 3  Snakes & Arrows Live

Album compilations

Rush Through Time  Archives  Chronicles  Retrospective I  Retrospective II  The Spirit of Radio: Greatest Hits 1974-1987  Gold  Retrospective 3   Working Men

Video compilations

Through the Camera Eye  Chronicles

Tours

Roll the Bones Tour   Counterparts Tour   Test for Echo Tour   Vapor Trails Tour   R30: 30th Anniversary Tour   Snakes & Arrows Tour

Related articles

Discography  Awards  History  Instrumentals  Equipment  Victor  My Favorite Headache  A Work in Progress  Anatomy of a Drum Solo  Ghost Rider: Travels on the Healing Road  “Fear” series  Cygnus X-1 duology  Hugh Syme  The Fifth Order of Angels

The Rush portal

Categories: Rush (band) songs | Rock instrumentalsHidden categories: Articles needing additional references from December 2009 | All articles needing additional references | All articles with unsourced statements | Articles with unsourced statements from October 2008

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Posted by Wetaskiwin Airport - October 28, 2010 at 1:16 am

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Ten of the best: a guide to Paris, the City of Lights

Ten of the best: a guide to Paris, the City of Lights

One of the great things about London is its accessibility. Five international airports and a direct rail-link to Europe make the UK capital a hotspot for tourists the world over.

London’s excellent international transport links also mean that those who live in the city are well positioned to take advantage of the plethora of top city destinations on its doorstop, and one of those is Paris.

The French capital is home to some two million people and it’s a city rivalled by few others on Earth. Like any major international city, there’s plenty to do in what has become affectionately known as ‘The City of Lights’.

An open-top double-decker bus tour is a great introduction to any city and Paris is no different. A one or two day pass will help you get your feel for the city and also help you find your bearings – Paris is a big city to get to grips with.

Perhaps one of the most famous structures on the planet, the Eiffel Tower is as iconic as tourist attractions come and should not be missed – if you don’t want to wait in long queues for the lift, the stairs are recommended and the walk to the top will be worth every step.

Everyone loves a good sunset. A cruise down the River Seine is a fantastic way to spend an evening, and watching the sun go down as the City of Lights ‘lights-up’ is a sight to behold.

Furthermore, the Notre Dame Cathedral is a spectacle not to be missed. Dating back almost 700 years, the iconic church’s Gothic architecture is an awesome sight.

A stroll down the city’s famous Champs Elysees thoroughfare should also be near the top of any tourist ‘to do’ list. If you want to walk all the way, you’ll end up at the Arc de Triomphe, a colossal arch that was planned by none other than Napoleon himself. If you climb to the top of the structure, you’ll get a grand view of the city and the one structure you can’t see from the top of the Eiffel Tower – the Eiffel Tower!

Anyone who’s read Dan Brown’s ‘The Da Vinci Code’ will know all about the Louvre. For those who haven’t read it, it’s where the world famous ‘Mona Lisa’ painting is housed – not to mention countless other works of art. If art’s your thing, then you won’t want to miss Musee d’Orsay, which exists in a former railway station and has an extensive collection of art from the likes of Van Gogh, Renoir and Monet.

For yet more fantastic views of the city, why not head up Montmartre, a 130 metre tall hill in the north of Paris? And when you’re there, you could do a lot worse than head to the famous Sacré-Couer Basilica, a giant church featuring both Romanesque and Byzantine architecture.

A little over two hours centre-to-centre is all the train takes between the UK and French capitals, making a Paris weekend break a fantastic option for those wanting to savour the flavours of a classic European city, without the headache of waiting at airports: although you might find it’s not quite long enough. Bon voyage!

Janine Barclay writes for a digital marketing agency. This article has been commissioned by a client of said agency. This article is not designed to promote, but should be considered professional content.

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Posted by Wetaskiwin Airport - October 25, 2010 at 1:16 am

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